Friday, November 20, 2009

Moonlight and Vines

Canadian author Charles De Lint is most well known for his Newford stories, all set within the fictional city of Newford. "Moonlight And Vines" is the third collection of short stories set in Newford, and it demonstrates quite well all of the neat things one can do if all of the stories have a common setting.

This is largely because Newford is an expansive and diverse locations. Stories in "Moonlight and Vines" are set in the artsy bohemian area of Gracie Street, Newford's gay district, the slums known as the Tombs, and the blue-collar neighborhood of Crowsea. De Lint's talents lie in his ability to tie all of these places together: all seem like part of the same city, despite being significantly different. Each story that takes place in a different area immerses the reader in a place that has history, culture, and its own dynamic, unique characters.

The characters as well as quite diverse. they include temps, journalists, strippers, the homeless, fortunetellers, and De Lint's apparent favorite class of people, artists. There are all kinds of artists: musicians, painters, sculptors, writers, and even a comic book creator. It's this presence of an art scene that really makes Newford seem dynamic and interesting.

De Lint is a fantasy writer, and so almost all of the stories have a fantastical element. A lot of the stories deal with what happens after death, but they vary from a story about a fiddler who doesn't want to move on after his death to a countrysinger having a final chat with the dead aunt who inspired her, to a gritty crime story of two people murdered by the mob who have to take revenge against their killers. Quite a lot of stories also involve human interaction with supernatural beings, be they the mysterious "animal people" who seem to be Native American animal spirits, to faerie folk who appear in the most unique guises, to a very odd take on the Greek Fates. But what is most important in De Lint's stories is not the external magic of spells and faeries, but the internal magic of the characters discovering the beauty and magic of the mundane world around them, or the kindness of those around them. This makes almost all of the stories inspirational and uplifting, leaving the reader with a good feeling after finishing a story.

I really loved this book, and it really made me want to read more De Lint, to immerse myself more into his intricate and interesting world. If Newford was a real city, I would move there in a second. Characters like the artist Jilly, folklorist Christy, and fortunetellers Cassie and Bone seem like such interesting, diverse, and real people that I really intensely want to meet and just hang out with them. I think that's probably the best rule of thumb for whether a book had succeeded or not: whether you would want to be around its characters. All of the stories are interesting and unique, and I highly reccomend this book.

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